How far would we go for social justice, and how would that youthful self be viewed afterwards? Lillian Tsay reflects on her involvement in Taiwan’s Sunflower Movement in her essay “The Era I Had Loved.”
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In this poignant essay, Monisha Raman finds her way in the maze of grief by walking.
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In this essay, one of three winners of the 2023 Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures, Gan Chong Jing argues that Singaporean playwright Kuo Pao Kun creates a uniquely fluid form of allegorical theatre by infusing experimental, non-realist English language theatre with Chinese Xiangsheng performance techniques.
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In “Mind the Gap”: Exploring Hwee Hwee Tan’s Portrayal of Cultural Tensions in a Modern, Globalising World,” one of the three winners of the 3rd Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures, Kelly Sng argues that Tan’s novels raise provocative questions about the limits of transnational capitalism and cultural fluidity in a modern, globalizing world.
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One of three winners of the 3rd Singapore Unbound Awards for the Best Undergraduate Essays on Singapore and Other Literatures, “Chosen One’s Chosen Pronouns: Queer Identity as Messianic Belief in Neon Yan,” by Tan Yan Rong, examines the intersection of gender and religion, truth and belief, in Neon Yang’s Genesis of Misery and A Stick of Clay.
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The exciting recovery of a previously unknown book-length poem by a Singaporean who migrated to Australia. Gwee Li Sui, the editor of A Walk with My Pig, describes the recovery not only of the work but also of the poet Mervin Mirapuri.
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What is gold if it is not a color nor a metal? In this essay Max Pasakorn wonders and wanders into an answer.
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In this new essay, Jasmine Gui examines the myth of the successful diasporic Asian artist in her own life.
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One of three winners of the 2022 Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures, Katherine Enright’s essay analyzes Ng Yi-Sheng’s short story “Agnes Joaquim, Bioterrorist” as a subversion of the conventions of Victorian plant fiction and of the orchid as a Singaporean national symbol.
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One of three winners of the 2022 Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures, Quek Yee Kiat’s paper is a study of selected rewritings of myths in Singapore and their re-significations, encompassing two interconnecting themes––“Fearless Females” and “Queering Hybrids.”
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One of three winners of the 2022 Singapore Unbound Awards for the Best Undergraduate Critical Essays on Singapore and Other Literatures, Timothy Wan’s essay uses Pearl Bank as a focal point to offer a reconsideration of how Singaporeans engage with nostalgia.
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In this essay on the late Malaysian poet Wong Phui Nam, Daryl Lim Wei Jie considers how death acted for the poet as “a catalyst of deeper truths about the exilic migrant condition that he perceived himself to be stranded in – and the broader human condition.”
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In “Dear Pluto,” Susan L. Lin writes to the Death Planet about her plans to visit it in the distant future.
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“Singapore's climb from a Third World country to a First World nation was made easier, thanks to the escalator.”
Read MoreAmanat is a groundbreaking anthology featuring the stories of women writers from Kazakhstan over the past thirty years.
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In “My Story,” Burmese rights advocate Ningja Khon relates how she ran afoul of the Myanmar’s military junta and had to escape the country to southern Thailand before ending up in the US.
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ila explores through writing and photography the local spiritualities in Singapore.
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